Chronique - Mallephyr - Ruins Of Inner Composure - Epictural Production - 2024 - black metal

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 MALLEPHYR RUINS OF INNER COMPOSURE 2024 EPICTURAL PRODUCTION BLACK/DEATH METAL C'est de République Tchèque que nous revient l'ouragan Mallephyr pour un troisième opus de black/death metal violent, noir et complexe. Un album qui va nous accompagner dans les prochains mois.  Bigre ! Je l'avoue, je ne connaissais pas Mallephyr avant de recevoir cet album...Mais quelle tornade ! Un tourbillon de riffs dissonants subtilement mêlés à des coups de scalpels death metal, pour un rendu à la fois brutal, avec une atmosphère haineuse et noire et des titres longs et complexes, aux riffs originaux et acérés.  Le chant versatile d'Opat - également guitariste - évoque tous les démons du sud du paradis et s morgue haineuse nous atteint immédiatement.  Le grand intérêt de cet album réside dans la qualité des musiciens, réellement impressionnants, et le soin apporté aux ambiances, parfois glaciales, psychiatriques ou guerrières. On y entend autant la souffrance qu'un côté vindicatif,

Libellés

rock52 klonosphere40 Metal35 ambient31 Thrash Metal30 Grindcore28 hardcore28 punk28 the ritual productions28 dsbm25 ellie promotion25 industrial24 heavy metal22 Industriel18 atmospheric black metal18 dungeon synth18 experimental18 black death metal17 post metal17 rock progressif17 hard rock16 raw black metal16 source atone records16 les acteurs de l'ombre15 noise15 post black metal15 sludge15 avant-garde14 dark ambient14 les crocs du scribe (chroniques)14 pierre avril14 post-black metal14 black atmosphérique13 post hardcore13 stoner13 folk12 fusion12 grunge12 electro11 epictural production11 metal progressif11 progressif11 progressive metal11 rock'n'roll11 LES CROCS DU SCRIBE10 dark10 non posse mori records10 punk hardcore10 rap10 season of mist10 ambient; dark ambient9 blues9 english9 feu follet productions9 grind9 post rock9 reviews9 rock alternatif9 antiq label8 black metal atmosphérique8 crust8 death metal français8 doom8 noise rock8 post punk8 underground8 70's rock7 black ambient7 brutal black metal7 chroniques7 cosmic black metal7 depressive suicidal black metal7 funeral doom7 harsh noise7 hip hop7 war metal7 20206 20216 20226 Black Thrash Metal6 SUICIDAL MADNESS6 acid vicious6 bestial black metal6 black metal poétique6 dark metal6 debemur morti6 medieval6 nuclear blast6 prog rock6 satanath records6 sleeping church records6 xenokorp6 20235 Inexistence5 Marseille5 POP5 alternatif5 black metal symphonique5 dark folk5 demande à la poussière5 extreme metal5 folk metal5 français5 french5 goregrind5 gothic5 heavy rock5 indus5 instrumental5 interview rock5 interviews rock5 italie5 jazz5 ladlo5 maltkross5 my kingdom music5 nrv promotion5 old school5 power metal5 progressive rock5 psychedelic5 synthwave5 20194 Acod4 LE SCRIBE4 Nord4 Suède4 akerius4 alternative metal4 avant-garde black metal4 brutal death4 chaoscibel4 death black metal4 depressive black metal4 doom/death metal4 emilien nohaic4 ep4 epic black metal4 facthedral's hall4 france4 gevaudan4 greek black metal4 groove metal4 herbert west productions4 horreur4 idolos4 label4 les flammes noires éditions4 maxime taccardi4 mayhem4 metalcore4 modern metal4 morguiliath4 mutiilation4 nature morte4 nebulizar4 neo metal4 neofolk4 nsbm4 nuit macabre4 nyghlfar4 polish black metal4 portraits rock4 prog4 prog metal4 psychedelic rock4 psycho4 raje4 rock 70's4 sexe4 shoegaze4 slamming death metal4 trap metal4 trve black metal4 veine morte4 AZGARATH3 Adipocere Records3 Aevangelist3 Avignon3 Boisson Divine3 Dawn Ray'd3 Fraction3 GARAGE3 Metallian3 Mur3 OCEANS OF SLUMBER3 Ophe3 Post-Rock3 RAC3 Speed Metal3 Supplices3 Tenebrisme3 The Losts3 black melodique3 black metal mélodique3 black metal épique3 black shadow legions3 black'n'roll3 blackcore3 blut aus nord3 brutal death metal3 cave mouth3 classique3 clip video3 cold wave3 cult black metal3 death metal symphonique3 deathgrind3 deftones3 desert rock3 doom metal français3 electronic music3 etna3 excrutiate 6663 exeprimental3 experimental black metal3 extreme3 golden years3 goliard3 gothic metal3 greece3 harsh noise wall3 hass weg productions3 hessian firm3 horskh3 hreidmarr3 imperial triumphant3 japanese black metal3 la ballade des rats3 lewis3 littérature3 live3 livres metal3 lovecraft3 lss3 maudits3 melodeath3 melodic black metal3 metal indus3 my dying bride3 necrobutcher3 netherlands3 news3 noise rap3 occulte3 old school black metal3 oldschool death metal3 parlor3 portrait3 post-hardcore3 post-metal3 power electronics3 progressive3 psychedelisme3 psykup3 quiétude hostile3 rabm3 ritual3 ritual music3 rock français3 rock psychédélique3 roman3 scarred3 scifi3 seeds of mary3 seide3 thrash3 true black metal3 windhelm3 wire3 7 weeks2 Ad Vitam Ad Mortem2 Altesia2 Antha2 Archean2 Aryos2 BLACK METAL RURAL2 Baise Ma Hache2 Balance of Terror2 Brulons Une Sorcière2 CIEL BLEU ET PETITS OISEAUX2 CROSSOVER2 Cor Serpentii2 Costes2 Dark Heavy Metal2 Dead Can Dance2 Deliverance2 Endless Funeral2 Exanimis2 Extreme noise terror2 Furies2 GG Allin2 GG Allin antéchrist de l’extrême2 Halloween2 High On Wheels2 Isgherurd Morth2 Karne2 LA TAVOLA OSCA2 LIQUID FLESH2 Litanie2 MARIGNAN 15152 Matron Thorn2 NAPALM DEATH2 NECROPHOBIC2 Orties2 Pop Punk2 Redemption2 Sarkasm2 Schultz2 Skald2 Spiritualité2 Suicide Circle2 The Bottle Doom Lazy Band2 Traître Calin2 Uncut2 VII2 Verdun2 Vintage2 Winged2 World Music2 Yuggoth2 acheron2 adeline avril2 ahasver2 aker2 akhlys2 alice in chains2 almost famous2 alrinack2 alternative2 ambient folk2 anarchie2 anarchist2 annunaki2 aries2 art rock2 astral black metal2 asura2 atavism2 atlantis chronicles2 atmospheric doom metal2 autruche core2 avant garde2 aversio humanitatis2 bathory2 belgique2 beneath my sins2 bilingual2 black sabbath2 black-out arises2 blackened hardcore2 blackened post-core2 blackgaze2 blues rock2 bovary2 breed machine2 brouillard2 bukowski2 burnt umber2 cammie gilbert2 cantar2 carcolh2 causa sui2 chanson2 chaotic hardcore2 comments2 corpus diavolis2 croux records2 crypt of the absurd2 cursed coven2 dark medieval dungeon synth2 darkwave2 dawn of a dark age2 dayal patterson2 death progressif2 deathcore2 deathspell omega2 deformeathing production2 dehn sora2 djent2 djiin2 doom/death2 draakanaon2 drogues2 drone2 druids of the gué charette2 dunkel2 ebm2 elkk2 end of mankind2 english & french text2 english text2 eternal majesty2 experimental music2 extreme goregrind2 fauxx2 feral2 ferriterium2 french goregrind band2 from this ground2 from this sea2 frozen records2 funeral desekrator2 funeral doom metal2 fuzz2 genesis2 gothique2 grece2 griiim2 hermith2 hexekration rites2 in taberna2 indie rock2 industrial metal2 infamy2 inherits the void2 inhuman homicide records2 inside2 j'ai si froid2 jack and the bearded fishermen2 jasper ruijtenbeek2 jorn stubberud2 junon2 kfr2 kolossus2 kommandantur porn club2 krautrock2 l'accro du scribe2 la réunion2 le dernier sacre2 les archives de la mort2 les flammes noires2 les légions noires2 los disidentes del sucio motel2 lyon2 malauriu2 malfete2 maltrkross label2 maléfice2 maquerelle2 marc reina2 marilyn manson2 medieval black metal2 membrane2 messe basse2 metal alternatif2 metal français2 metal moderne2 metal symphonique2 ministry2 modo niger2 molbol2 muddles2 musikoeye2 nawak2 neant2 necrocachot2 necrohorizon feu follet productions black metal raw black metal bergerac le scribe du rock2 nera2 nergrisen2 night fog2 nihilistic holocaust2 nine inch nails2 noise black metal2 noisegrind2 nornes2 occult black metal2 oi2 omega2 once upon the end2 operation werewolf2 opeth2 opprobre2 outlaw country2 ovtrenoir2 owl cave2 pagan2 pagan black metal2 parodie metal2 paul waggener2 pays bas2 petroleum2 pink floyd2 playful winds2 polemicist2 pop indé2 porno2 post-punk2 poésie2 prophetic scourge2 public enemy2 punk extrême2 punk rock2 queen(ares)2 québec2 rap metal2 religion2 rituals2 rituel2 rock hard2 roine stolt2 rotting christ2 russie2 räts2 sakis tolis2 sang2 satan2 saturnian tempel2 sekth2 seth2 skinhead2 sludge metal2 sol draconi septem2 soundgarden2 spain2 spellbound2 spirit bomb2 spirituel2 statistic ego2 steve hackett2 stoner rock2 suéde2 sweden2 swedish black metal2 symphonic black metal2 symphonic death metal2 tarask2 the dark has teeth2 the great old ones2 tight2 time tombs production2 time tombs productions2 toulon2 tranzat2 trip hop2 truth2 trve balck metal2 ukraine2 uruguay2 usa2 vacuum tehiru2 viking metal2 vindsval2 virgil2 warside2 witch folk2 yarotz2 yeruselem2 19931 20181 20241 6:331 70's1 80's1 90s1 ABBYGAIL1 ALPHAVILLE1 Abby1 Acédia1 Adren Weber1 Akurion1 Alienante Damnation1 Amaranthe1 Anorexia Nervosa1 Antisweet1 Aorlhac1 Apathy1 Aqme1 Arnaud1 Arnhwald1 Arno Strobl1 Astral Sabbath1 Ataraxie1 BERNARD MINET1 BIOMAN1 BLACK ZOMBIE PROCESSION1 BZP1 Belzebubs1 Beyond The Void1 Beyond creation1 Birdstone1 Bourseiller1 Breath1 COMBO1 Camion Noir1 Carnival In Coal1 Chapter II : The Flames1 Charlélie Arnaud1 Christophe Bourseiller1 Citadel1 Conscience1 DEATH TRAP1 DER WEG EINER FREIHEIT1 DIY1 DOROTHEE1 DSM1 DUSTIN JEFFRIES1 Damnation Rock1 David First1 Devil Sold His Soul1 Discolored Field1 EDITIONS RYTRUT1 ENBILULUGUGAL1 Ecr Linf1 Epcitural Production1 Erang1 Erased Memory1 Fight The Power1 Franswa1 FuZZ Movies1 GERMAN BLACK METAL1 Geert Kohler1 Gustave Doré1 HECA-TOMB1 Hate Eternal1 Hats Barn1 Hellrduk1 Hermitage1 Hjelvik1 Horrendous1 INKISITOR1 Ice War1 Imperial1 John Doe1 K.F.R1 KAINSMAL1 KARLOO241 LDDSM1 LES MUSCLES1 LNH1 La guerre des rois1 Le grand Silence1 Lord Ketil1 Loss1 Légendes1 Madryal1 Mallephyr1 Maltkross Label1 Marc Zermatti1 Mayeul Tur1 Mc Clane1 Memories of A dead Man1 Merle Allin1 Metal Story1 Metal extrême1 Meurtre1 Mike Portnoy1 Molde1 Moyen1 Murderabilia1 NORTHERN LIGHTS1 NORWEGIAN BLACK METAL1 Nantes1 Napharion1 Nasum1 Neal Morse1 Nicolas Castelaux1 Nicolas Claux1 Noir Sang1 Néfastes1 ORIFLAMME1 Octane1 Oli Pinard1 Olivier Déhenne1 Omrade1 POST DEATH METAL1 PRECOMMANDE1 Paris1 Patron1 Pete Trewawas1 Pig Destroyer1 Portraits1 Post-Core1 Premières Fois1 Princesses leya1 Pute Finale1 Përl1 Quietus1 RAVEN THRONE1 Rave1 Rock'n'Folk1 Roi Rouge1 Rosenkreuz1 Rvbber VVitch1 Ryan Förster1 RüYYn1 SANIT MILS1 SAVAGE ANNIHILATION1 SOS1 SPLATTERGORE1 Saar1 Sancturary1 Sangham1 Sarah Rizzardi1 Scarlxrd1 Scour1 Serial Pleasures1 Sinoath1 Skydog International1 Snap Border1 Sombres Danses1 Sorcières1 Sphere1 Split1 Ssludge1 Stephane Gerbaud1 Sycomore1 THRASHCORE1 TOP 20191 Tant que je respire j'espère1 The Fallen1 The Fury1 The Only Way To Reach The Surface1 Theatrical Metal1 Tortured1 Transatlantic1 Trou1 Vainturn1 Valérie Stein1 Vichy1 Violent Instinct1 Virus1 VitaPhobia1 Vociferian1 WOE1 Wardruna; Ecclesia1 We All Die Laughing1 Worhs1 You Me At Six1 ZAROFF1 a loner1 abattoir1 abigorum1 accoustique1 acoustic1 acoustic metal1 ad patres1 admin dada1 aeon chaos in a juk sick dawn1 affect1 agathocles1 ahnenerbe1 ajchikaj1 akhenaton1 alcest1 alcide van zan1 aldric1 alicia fiorucci1 alive1 all nighter1 allobrogia1 alta rossa1 alternative rock1 alternative trap1 ambient doom metal1 an acoustic journey part 11 an endless feast for hyenas1 anarchist metal1 anarcho-punk1 anarchy1 anciens astronautes1 andrew fletcher1 angle mort1 annihilation1 années 901 antifa1 antilife1 antispirit1 antoine Schoumsky1 apocatastase1 apparitia recordings1 arallu1 aran angmar black cosmis elements ellie promotion le scribe du rock titme tombs production season of mist black metal death metal heavy metal international1 aran angmar black cosmis elements ellie promotion le scribe du rock titme tombs production season of mist black metal death metal heavy metal international review1 archenterum1 ars moriendi1 arsule1 art1 artiste1 as a new revolt1 ash montag1 asphodele1 athome1 atlantide1 atmospherique1 auakistla1 audrey sylvain1 auteur1 autrice1 avernum whispers1 axis of perdition1 ba'a1 back in the game1 bal sagoth1 bannwald1 barney greenway1 baroque1 battlesk'rs productions1 beatdown hardcore1 beauty and the beast1 ben mc crow1 benediction1 bestial summoning1 beyond the fallacy1 beyond the river of laments1 beyond your beliefs1 bilingue1 billie eilish1 birmingham1 bière noire1 biélarus1 biélorussie1 black beast1 black blocks mcs1 black forest productions1 black hop1 black legions1 black metal espagnol1 black metal grec1 black metal melodique1 black metal provençal1 black metal trap1 black metal underground1 black owl majesty1 black pandemie prod1 black shadow1 black trap metal1 black veil production1 black-out rises1 blackened death metal1 blasphemy1 bleeding wounds of the first and the last1 blog rock1 blood1 blood blast distribution1 blood era1 books1 borgne1 born again1 brazil1 bresil1 bretagne1 breton1 broken speech1 brutal pop 21 bulle1 bunkur1 burzum1 bèlkètre1 cainan dawn1 californie1 callophis1 calvaire1 camion blanc1 cancel the apocalypse1 candlemass1 cannibalisme1 captation1 caput mortuum1 carach angren1 carnivore1 cassette1 cataèdes1 cattle decapitation1 cavalerie1 caves crasseuses de france1 celtic frost1 century media records1 cepheide1 certa mortis1 chair liquide1 chalung-gra1 chamanique1 chaos magick1 chaotic1 chili1 chloé delaume1 christian metal1 christofer Johnsson1 circle of chaos1 classic rock1 classical1 cleaver1 clegane1 clermont ferrand1 clip1 closet witch1 cold dark matter records1 cold metal1 colombian black metal1 columbia1 concert1 concilium1 condamnés1 confessor a.d.1 conqueror1 consouling souls1 contes1 corbier1 coronavirus1 covid-191 cracra records1 crepuscule d'hiver1 crooner1 crypt sermon1 cryptopsy1 cult of the necro-thrasher1 cultus profano1 cursed blood records1 cyber1 cybergrind1 cécile delpoïo1 d-beat1 daemonium1 dan simmons1 danemark1 dark ages1 dark ambien1 dark fury1 dark medieval1 dark odyssey1 dark rock1 dark tek1 darkfolk1 darkjazz1 darkness1 darksynth1 darkthrone1 darvulia1 david e.gehlke1 daz brooks1 deadlight records1 death groovy1 death industrial1 death metal progressif1 deathrock1 decasia1 decca1 dedo1 deep purple1 def jam1 defenestration1 deha1 depeche mode1 depressive doom metal1 design1 despised masses1 deu.ils1 devin townsend1 devourment1 dhärnürgh1 diablerie1 dictature sanitaire1 dirty black metal1 dirty black summer1 discharge1 disco goth1 disowning1 dissection1 dissonant winds1 dodheimsgard1 doom death metal1 doom extreme1 douce fange1 downright malice1 drakonhail1 drash production1 dream theater1 drone music1 dropdead chaos1 druadan forest1 dub1 dungeon folk1 dunkelheit produktionen1 dutch1 dutch black metal1 dépression1 dépérir1 dëgénérescence1 east coast1 echoes1 edgar chevallier1 editeur1 editions du seuil1 editions les flammes noires1 egosphere1 electro pop1 electro rock1 elixir1 elize ryd1 elliie promotion1 eminem1 emo rap1 emperor1 england1 english and french text1 enoid1 enslaved1 epic doom metal1 epic gothic black doom metal1 epic heavy metal1 epictural productions1 epitome1 eridanus void1 erineyes1 espagne1 eternity1 ethnic1 etienne sarthou1 evadne1 evanescence1 evighet1 evil incarnate1 exclusivité1 excruciate 6661 exitium1 exocrine1 experimental rap1 expérimental1 f2m planet1 fabienne shine1 faciem diaboli1 faction senestre1 failure1 fantasmagoria1 fantastique1 fanzine1 faquin1 faruln1 femme1 feretro1 feuille morte1 fictions & cie1 fields of fire1 finnish1 flamenco1 flor1 fm extermination1 folk metal français1 folk music1 forebears productions1 forgotten wisdom productions1 forhist1 fourth reign over opacities and beyond1 fragments de destinée1 france d'oil1 france d'oil production1 françois picca1 frau fleischer1 french text1 froideur quantique1 from the vastland1 funk1 furfur1 fusion rock1 garage rock1 garigha1 gascogne1 gbh1 gelassenheit1 general lee1 gestapo 6661 get the shot1 glaciation1 glam metal1 glaukom synod1 gnaw their tongues1 gnosis1 goatchrist1 golgata1 gorgon1 gorgoroth1 gospel of your sins1 goth metal1 graphiste1 grave circles1 graves for gods1 grebbeberg1 gronibard1 groove1 groupe français1 grylle1 haenesy1 hammerheart records1 hammerstein & Waldteufel1 hangman's chair1 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[ENGLISH VERSION] INTERVIEW WITH FAMINE (KPN) FROM KIEV




I am delivering here an interview I recently had with Famine, from KPN, from its new stronghold in Kiev, Ukraine.  So please take into account that this is an exclusive interview, which is about the music (and what music) that Famine has been giving us to hear for over fifteen years. Thank you for your intelligence....
Le Scribe

This Interview was translated by Le Scribe from French....

famine kpn black metal hooligan



Hi Famine, and thank you for answering my questions. Can you come back for us on the foundations of Peste Noire? In 2000 you formed yourself in Avignon (my city! Editor's note) under the name Dor Daedeloth (in reference to Tolkien) and you released the demo "Aryan Supremacy". Can you tell us about the creation of this first training and the objectives that were yours? Your musical and thematic influences?

The name Dor Daedeloth had to be adopted for a week, the demo was released under the name Peste Noire, so we can consider that Dor Daedeloth never existed. My thematic influences came from a painter with a slightly tense moustache and my musical influences were the Toulon and NS Slavic scene. Concerning the objectives, I just wanted to ask the name of the band before someone found it for us, because this demo is objectively nil.

The line-up of the band at that time is composed of you (under the name of Aegnor) but also of Neige (Alcest) on drums and Argoth on bass (also in Alcest). At the time PN was founded, you also played in Alcest, which gave two bands to the same line-up. Can you come back for us on this time? How did you two meet? How did you distinguish the two projects?

We lived in the same small town where nothing was happening, so we quickly came across each other. At first there was only Alcest. Neige was in a black forest / Scandinavian trip, and I wanted to sound French, dirty, raw, less sublime and more hateful, with a marked political dimension, so the split was made naturally but without conflict since he played the drums on all the demos.



Aryan Supremacy gives us the opportunity to hear a "true" and dirty Black Metal, with openly NS themes. Were you influenced by the Black Legions? I am thinking in particular of Mutiilation? But I am also thinking of groups from the South such as Blessed in Sin from Toulon or In Articulo Mortis from Avignon?

The Black Legions and Mütiilation, yes, totally. For the groups from the south, it was rather Kristallnacht and Lord Voland whose productions I ordered on the Aura Mystique distro paper.

You write the lyrics and play the guitar on Alcest's first demo, "Tristesse Hivernale" in a rather different genre, although also "raw". Can you go back to that recording?

I composed the main riff of "La forêt de cristal" plus another one but from memory I didn't write a text on this demo.

In 2002, you released "Macabre Transcendance" at Drakkkar Prod, the emblematic label of the Black Legions. Does the name change to Black Death come from the fact that you are from Provence, where the Black Death so violently decimated the populations? As far as the demo is concerned, you are then a "duo" with Neige, is that right? Musically we stay in something very raw and violent, with these gloomy screams and this deadly atmosphere. Can you give us your retrospective view of this period? Anecdote, we find on this demo the original version of "666 million slaves and waste" that you cover on your last album. What made you want to make a new version of it?


Best period of my life in my relationship with the BM, the one where I had the most hatred, and this demo is the embodiment of it: a precision of total darkness. For me this tap was more than music, it was a matter of life and death. The rest of my discography is almost a hobby compared to the tension I was able to put in this tape. Concerning the context, it was the time when we were seeing the guys from Drakkkar Productions who were ten years older than us and who put us on the right track: not to confine ourselves to Black Metal but to dig into all the extreme dark styles - which I still do today with rap, the trap being a pool of dark instructions. We often visited them in their castle (they really lived in a big old castle of Pont Saint-Esprit 5 km from my house, formerly used to make ass movies and where the Black Legions had made some recordings, it sets the mood). Noktu made us discover totally underground projects of indus, noise, dark folk etc. We met other Blackeux, the guys from Nuit Noire in particular (during their Black Metal period); there was even a room dedicated to discussions where we talked about philosophy, art, extra-musical projects but always related to black metal. I have a magical memory of that period because everyone who was in the underground BM at that time was either violent or crazy, and the BM physically owned them.

famine kpn peste noire black metal français

You are quickly noticed for the quality of your texts (being also from Provence, Sade country, I am not surprised). Where does this taste for words and beautiful speech come from?

I am too impulsive to speak calmly, with fluidity and organization, words collide and fight in my mouth when I go out, so that I express myself as a handicapped person under speed. Writing gives you time to organize and search for words, it is a form of revenge against the failures of oral and spontaneous expression. "A stutterer is a born stylist. " (Cioran)

In 2003, the demo "Phalènes et Pestilence - Salvatrice Averse" was released. The medieval atmosphere becomes striking. Do you see this demo as a new direction for PN? Musically, melodies are more present, and the NS side much less so....

It's just a matter of context. I am like a sponge, I can't lie and always immerse myself in the real universe in which I live. At that time I was studying medieval literature at university and it reflected on my music. People don't like the new Black Death because they are looking for what is not there - the soil - but it is totally faithful to the universe in which I am currently living: the dilapidated and peri-urban areas of Kiev, the immense ex-Soviet ghettos. The degenerate part of the new album is the soundtrack of this kind of places, with a greyish, dirty, cold and mechanical industrial and urban vibe, whose architectural equivalent would be Brutalism.

In 2006 you released your first album, which is also a masterpiece. Even today, "La Sanie des Siècles" is still considered by many to be your best album. What do you think of that?

If the majority of people decide that it is the best, it is the best. I try to make a different album for each release, so it's hard to compare and prioritize them, but in the long run it's the audience that decides, not me. According to everyone's taste, "L'Ordure", "Ballade" or "La Sanie" will be the best, but they have little to do with each other. What interests me is experimenting, not doing the same thing twice. The most honestly in the world, I would be able to do a "La Sanie" bis in less than three months, but that doesn't motivate me. Or when I'm poor.

KPN la sanie des siècles peste noire black metal français

 In 2007, the EP "Lorraine Rehearsal" was released. A rehearsal recorded in Lorraine. Musically speaking, we are in the continuity of the album, with a complex and varied music, which some people at the time were not afraid to classify as "avant-garde". You're already talking about "Hooligan BM". What can you tell us about this recording?
It's just a shitty rehearsal on side A and a more elaborate recording on side B, mixed by me. Side A is bland black without interest, but side B is possessed, with a really unique and ancient sound, a deep nostalgia, it justifies this vinyl on its own. The very hilly, disjointed and heterogeneous aspect of the B side comes from the fact that I recorded my tracks on floppy disks limited in terms of recording time, I had to record segments of 3 or 4 minutes and then switch to another floppy disk. I composed my songs accordingly, anticipating pauses from 3 or 4 minutes, then starting again with a new riff on the next floppy disk.

In 2007 comes your second album "Folkfuck Folie". The latter immerses us in themes related to mental illness (with references to Antonin Artaud) and establishes, I find, a new sound for PN, which prefigures all the rest. You leave the "classical" BM for a genre that you create, imbued with sounds almost punk (in terms of sound) and a song that oscillates between pure Black scream and that "degenerate" song of a crazy French singer that you will continue to develop. I love this album because it represents a synthesis of your two musical "eras". What do you think of that?


For me it is the weakest. I love the intro and the last track - "Paysage mauvais" - which were recorded and mixed separately by me, but the sound engineer of this album literally killed the rest of my compositions with his filthy production. The voice, which was ultra aggressive like on "La Sanie" at the catch, sounds like soup, it's a total shipwreck. I think nothing is more frustrating than working on a dozen texts for months to get them blown up in the studio by a disabled person. The worst NP for me, a distant bad memory.






kpn folkfuck folie peste noire black metal de france

I don't want to "psychoanalyze" you, but your lyrics and the atmosphere of your songs are full of sadness, a sadness that finds its way into hatred? Is it related to Ludovic's story or is it just a "character" named Famine de Valfunde?

It is - or rather it was - reality. I was sad and anxious in the past, especially about the future of France. Then I discovered Ukraine. France is a country of old croutons with 30 Glorious Sauces who have confiscated wealth and passively delivered our soil to a future racial cataclysm that they will not have to assume. If there is no violent and explosive confrontation, there will eventually be a catastrophic lowering of the IQ (it has already begun, no one wants to take on this issue but everyone secretly knows the origin of this sudden drop in the French IQ). Ukraine is a country that is certainly poor, but ethnically preserved (the second truth that must not be told: any homogeneous white society, even poor, lives in a serenity, security and well-being a thousand times greater than any multi-ethnic society, and I am talking to you from a country at war there). Ukraine is also a young country, with a much more combative spirit, when the French became trans people. Of course there are exceptions, of course there are the Zouaves Paris and real resurgences of virility here and there, respect and strength to them, but what I mean is that it is really a minority compared to Ukraine, where here it is widespread on a people-wide scale. French activists give young people little incentive to join or emulate them. In Ukraine being NS, natio, pagan is a winner's trick, it's stylish, young people want to be part of it, they attract girls, when the extreme French right only likes forest trolls or old girls with problems... Once again, I make generalities, I militated with the guys from the Bastion Social and the merit of these young people who work their asses off to help the French in need and in exchange only take the spit from the local population (there were 9 of us against 1000 demonstrators - white - at the opening of the local BS Clermont: https://www.youtube.com/watch?v=sN3JRUa4ID8), the more valuable the police and state inquisition is. But they remain microscopic in number. Everything in Ukraine has given me hope: the youth, its number, its motivation, its level in combat sports. Seven months I've been here and I've become straight-edge, I've lost 15 kg, I train every day with guys who pull me up. I'm not saying this to brag, but to explain that having always been immersed in the culture of a bistro, it wasn't easy, and that you too, you little French pillar of a bar and stuffed with andouillette, can get my Greek god body by coming to Ukraine, not to fuck whores but to sweat all your wine with Azov guys or hools from the FCDK. However, my roots are in France and I will never be able to give up my country completely. I love France for its past, its heritage, its history, and Ukraine for its future; so living between the two is a good compromise. And knowing that I am on a pan-European and not a chauvinist line, I do not see the concern that some narrow-minded people see in it. Never for a second in Ukraine did I feel like a foreigner. What Frenchman can he say that he has never felt like a stranger in France?

bastion social clermont ferrand avec Famine
Redistribution of food by the Bastion Social in Clermont-Ferrand

Total change of musicians with "Balade cuntre lo anemi francor" in 2009. Neige is gone, as is Winterhalter (who plays with him in Alcest). Did you have a disagreement from that time on? Away from "Folkfuck folie folie", this album is a return to the medieval aspect of "La sanie". The melodies are splendid, as well as the omnipresent darkness. Guitars, sometimes dissonant, are always more surprising. You're an excellent guitarist. Did you learn on the job? Can you come back for us on this album? What was the purpose of this?

In fact, Neige plays the bass on "Ballade", he just took a nickname so as not to fry politically, which in itself was noble on his part, I mean just to play for the music and not for the laurels, without being displayed. The story of this album is simple: I couldn't stand my drummer anymore, he took PN for Slayer or Metallica and he kept talking to me about depoliticizing PN to become manyream and make money. To take a break, I had created an unnamed side-project, just to please myself, quiet on my side: the album was composed in three weeks and recorded/mixed in less than a week by myself, like a demo. It was "Ballade". When I was listening to the album, I thought it sounded even more PN than the two previous ones. So I decided not to change bands for this album, but to change drummers for Peste Noire.



peste noire ballace cuntre lo anemi francor black metal france



What is "funny" about PN is that, even if you are in the sights of some (Antifa and others), they can't attack you on the quality of the music. I even read a "post" on the internet about one of your concerts, where the guy was trying to shoot the other bands but could only bow to your performance. Doesn't that make you laugh?

What you say exists but I think we shouldn't abuse it because in 80% of cases it's exactly the opposite: people get back at ideas by attacking music. This is particularly obvious with the last one. I listened to what was done in 2018 and with all possible modesty, we still hover above the mass, like a Golden Eagle above the gerbils. In the future, the last album will be revised upwards, I have no doubt about that. Today "Folkfuck folly" and "L'Ordure" are sacred, but personally I laugh because when they came out, these albums were shot down and very violently, "L'Ordure" being compared to Finntroll. At the time I had badly received these criticisms, but today that I know that 95% of the Metal/BM scene has a hamster IQ and are the worst hobos in terms of aesthetics, it touches me one without making the other move. How can we take seriously the tastes of people who dress in rangers and perfecto by wearing t-shirts that are too wide? LOL. I think it's really hard to satisfy our listeners today because when they don't attack music to get back at ideas, they expect too much from us. Our fans are frigid old bitches, they had too many orgasms with each album release, and now that their ears are dilated by miles of sublime riffs, they blame us for not making them come anymore. We've mastered the whole new French scene, everyone's stealing my ideas, so who's the Master? Who's the expert? Is it you, or is it me? If I had any advice for my fans, it would be: first, to commit suicide, second, to judge a NP album only ten years later, because you live, eat, smell, smell, judge my works with a rusty brain that dates back to 1993, while I am already in 2088. Honestly, how can we say that PN is dead when we are still able to produce titles like "Aux armes! ", " Songe Viking ", " Aristocrasse " and " Domine "? At some point you have to stop using drugs.

"L'ordure a l'état pur" is a condensed version of black hatred. When it is released in 2011, we are surprised by the direction, which leaves the medieval shores of the previous one for a more contemporary atmosphere, even if the goal is clearly to spit on modernity and urbanity. Can you tell us about this album and the message it seeks to convey? Musically, the combination of brass and heavy/punk guitars hits the mark! The line-up changes again. Difficulties keeping musicians?

Experimenting with new forms and styles of playing sometimes involves changing musicians. But half the time, it's politics that keeps me from keeping them. People who have a public professional career to pursue burn themselves too violently with PN, so sooner or later they break up on their own. Concerning the album itself, I consider it one of my greatest successes. It is the result of the encounter between my wildest ideas and the ideal sound engineer. You can come into the studio with really crazy compositions and have some shit when you get there. Production accounts for 40% of the work, especially in the BM where the atmosphere prevails. Not only is the sound on "L'Ordure" a haven of sound, a perfect mix of punk, old Hard Rock and BM, but every time I proposed a totally crazy idea, the guy would answer me: "yes it's possible", like Hassan Cehef in the sketch of Les Nuls, and hop, he would put it into practice. One of my best experiences.


KPN l'ordure a l'état pur peste noire black metal de france

 After a re-release of the band's demos in 2012, you release the eponymous Peste Noire in 2013, with Audrey still singing (already present since "Ballade...") and Ardraos on drums (Charogne, Sühnopfer). To my knowledge, this is the first time we've heard beats programmed into PN, right? This album is very diverse, with really original instrumental parts, and this song you've been carrying around ever since, straddling between Black and Rural Rap. Your writing has also evolved towards a more raw tone, is it due to the influence of Rap? What do you think of this album?


Yes, it's clearly due to the rap influence. I really like the atmosphere of this album because it smells like a deep Auvergne, with a dog punk production, with the sound of a rusty garbage can. It's an album with a demo sound, I love that kind of approach.

peste noire peste noire black metal de france


What made you leave Provence for Auvergne?

The climate, the vegetation, the voluntary solitude. I needed to immerse myself in a northern and dark environment - I was served. The surroundings of La Chaise-Dieu are icy, empty, populated by huge fir forests, all the villages are dead, closed, for sale, in ruins. And it is not only from now: in the 19th century, Georges Sand described it extremely sinisterly. In 1931, Henri Pourrat in Gaspar des montagnes, described the area where my house is located as follows: "There are places where the sun seems not to have pierced for worlds of years: it is dark, it is black, it is death". Having spent a full winter in Ukraine, I can even assure you that in terms of temperature, it is much warmer here than at La Chaise-Dieu, where it can snow in May. It's quite funny because I had received the singer from TEMNOZOR at La Chaise-Dieu, who comes from Siberia himself, and he was shocked by the harsh Casadian climate. It was the perfect place to compose "Peste Noire" and "La Chaise-Dyable", and probably other albums in the future.


peste noire les démos kpn black metal de france

Then in 2014 comes the excellent split with Diapsiquir "Rat des Villes/Rat des Champs". There is a huge "tube" of NP, "In my night", a real masterpiece. What do you think of this split in retrospect, and of Diapsiquir?

The version of "Dans ma nuit" is more raw and sticky on this split than on La Chaise-Dyable, more trampy in the good sense of the word, but the voice is too drowned out, which is why I re-recorded the track. The title of Diapsiquir is good but their production is horrible. For Diapsiquir, I love "ANTI" but their latest album, except for one track, is an unnamed shit. "ANTI" being a masterpiece, they found the perfect name for the successor by calling it "180 degrés".

split peste noire diapsiquir rat des villes rat des champs black metal de france 

"La Chaise Dyable" arrives in 2015 and starts a real game of massacre of self-proclaimed "musical critics" who decide that PN is dead. In bulk, you are accused of having become vulgar, of repeating yourself musically. Personally, that's not my opinion at all because I think this album is perfect as it is, in the sense of the evolution of your evolution. "Le dernier Putsch" is a marvel, and the album contains in it a contagious melancholy and the first germs more frankly rap that we will find in overdrive on the last album. How do you see this album?

Honestly, I don't care. It's done, it's done. Maybe I'll have some perspective in ten years. I think "Le Dernier putsch", "A la Chaise-Dyable" and "Dans ma nuit" are atomic bombs, but the rest could have sounded better with a more adapted production and different arrangements. Regarding the fact that PN dies with each album, it's strange to die making more and more views and sales, but if that's dying, well, I'll keep killing myself. 

kpn la chaise dyable black metal de france peste noire 

 2018 : Peste Noire/Peste Noire split it. I'm telling you frankly: I consider it your best album to date, so much I was looking forward to what you do on the B side of the record, this incredible mix of Rap, French Song and perfect Black Metal. We discussed it by email at the time of "Black Plague" and it was already in your head. Where did you get your taste for rap? What artists do you like in this genre? I thought of Booba, Seth Gueko... Am I out of my mind?
Seth Gueko didn't, except for his song "Démarrer". Booba, for up to "Ouest Side". I still love his writing but musically after "Ouest Side" I have too much trouble. Right now I listen a lot to the German rapper Gzuz and the most aggressive tracks of 6ix9ine, more a lot of Slavic rap, for boxing and sport it's great. My taste for rap came to me around 2006 when I lived in Avignon, the most dangerous city in France at that time according to the statistics, because this music reflected the world I saw every day. The rap part of the album, called "degenerate", was ready three years ago; I had a lot of problems to release the album and my main regret is that it wasn't released before, because the black/trap tracks would have had a more revolutionary impact three years ago. Also, the fact that rap is a totally contemporary music and uses a new lexical field plus new ways of speaking, regenerates French poetry. Everything that could be done beautifully with the old words has already been done. I appreciate the freedom, malleability and freshness that rap brings to the French language. As for those who think it is anti-traditional and anti-European, the Militant Zone graphic designer pointed out to me that rap battles already existed in Viking poetry competitions, where you had to improvise a text orally to make fun of your opponent, something that you also find in a way in French troubadours in what were called Puys, cities where oral poetry competitions were held. 

peste noire split peste noire black metal de france famine 

The last album is a co-production between your label, La mesnie Herlequin, and the Russian-Ukrainian label Militant Zone. How did you come to collaborate with them? What vision brings you closer together?

In 2006 I thought I would invent the term Hooligan black metal because I had never listened to Grand Belial's Key and I didn't know they had invented it before me. I don't particularly like football but for me the Eastern European hooligans are the new arditi. Ukraine must be the only country where the BM really infuses itself into the hooligan scene, partly thanks to MZ. Since the beginning of PN, I have always defended the vision of a WB to be embodied in reality, mixing Art and Violence as the troubadours mixed the handling of weapons with the practice of poetry. Alexey de M8L8TH has some mistakes to his credit (murders), he is a poet and a professional soldier, in terms of street cred I think it is hard to do better. People rage at the video clip of the "Dernier Putsch" but the kalachs are real, and the guys who have them in their hands know how to use them, unlike the rappers in their clips... The graphics of MZ, too, is crazy. Then, I can't dwell on what's private, but the M8L8TH/MZ crew pulled me out of the shit several times when I was there. They are loyal and trustworthy people, backed by experience.

The best Peste Noire album?

The demos.

Your favorite writers?


Me.

On January 26th in Colmar, Dunkel from SALE FREUX, a band you launched with your label La mesnie Herlequin, burned a BLACK PESTE t-shirt on stage, telling the audience: "we're not fachos! "Your reaction?

I will start by saying that when I "signed" him in 2013, he was indeed a French nationalist, but having quickly understood that he was more stupid than a broom, I had distanced myself around 2014, so what about this turnaround? That son of a bitch got all the themes from my music back. I said "son of a bitch" but I should have said "son of God" because I gave birth to him. Without PN, Dirty Freux wouldn't even exist. I must still have somewhere the love letters he wrote to me in 2010, and to which I didn't answer. So instead of burning a t-shirt, I invite anyone who is in contact with this swallower to offer her a filmed fight. In truth, I know in advance that this big wine bag that has the cardio of a carp out of the water will refuse; but his refusal will make the fact that he burned a t-shirt all the more ridiculous, knowing himself that he cannot go any further. I will thus enter into the purest French tradition of fighting which makes a lot of noise but will never take place (Soral/Raptor, Kaaris/Booba).

A word to your critics?


Thank you.
If, from a factual point of view, we are one of the BM groups that makes the most views on Youtube, for political reasons, almost no media is allowed to talk about us anymore (and by the way, thank you for having had this courage). We are like Voldemort: the one whose name should not be said. But the only ones who continue to advertise us by obsessively talking about us, by sharing the cover of the last skeud everywhere because they are outraged, are our detractors, and just for that, I owe them a big thank you! Before Black Death, people paid for advertising. For us, antifa are prostitutes for free.

I repeat the offer I made to you in 2015, if you are interested I would like to work with you on a book on Black Death and I think there is a lot of material! What do you think of that?

When I'm 90 if you want. For the moment, the focus is on music.

Thank you Famine:)

Thank you to you!

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